Magic: The Gathering · masters
Cut // Ribbons
Amonkhet Remastered · #231 · rare · 2020
Sorcery // Sorcery
Listings
No active listings
From
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Market reference
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Current listings on The Game Traders
No active listings for this card right now.
Card facts
Quick reference for collectors and graders.
- Collector number
- 231 / 339
- Release year
- 2020
- Rarity
- rare
- Illustrator
- Raymond Swanland
- Colors
- BR
- Frame
- 2015
- Border
- black
- Finishes
- nonfoil
- Printed
- 2020-08-13
Card analysis
Computed from this card's stats and text — not a reposted price.
- Primary role
- Sorcery
- Mana value
- 4
- Type
- Sorcery
More by Raymond Swanland
This card was illustrated by Raymond Swanland.
About this card
Mana cost: {1}{R} // {X}{B}{B}
Type: Sorcery // Sorcery
Keywords: Aftermath
Tournament legality
Current legal status across competitive formats.
Frequently asked
How can I tell if my Cut // Ribbons is real?
Cut // Ribbons is not on our list of commonly-counterfeited cards, but counterfeits exist across every set. Check the print quality and cardstock (real cards have a distinctive blue inner core visible from the edge), the rosette pattern on the back, the security stamp on planeswalker / mythic cards from recent sets, and confirm the collector number and set code match the official Scryfall record. For high-value copies we recommend submitting to a professional grader (PSA, BGS, CGC) for tamper-evident authentication.
What is Cut // Ribbons worth?
As of the latest data, there are no active listings on The Game Traders right now. Actual value depends on condition, grading, edition and printing variant — graded high-condition copies (PSA 9–10) trade at a substantial premium over raw copies.
What set is Cut // Ribbons from?
Cut // Ribbons is from the Magic: The Gathering set "Amonkhet Remastered" in the masters series, released in 2020.
What rarity is Cut // Ribbons?
Cut // Ribbons is a rare card in the Amonkhet Remastered set.
Other Cut // Ribbons printings
Same Magic: The Gathering card across other sets and rarities.
